Thursday, December 3, 2009

Kharghar Property Rates After 2 Years

FIAT LUX. Let there be light / Let it be light. Lighting interventions in places of memory / Luminic interventions in places of memory. Guatemala.

Interventions lighting in places of memory linked to forced disappearances that occurred during 1980, at the peak of the dirty war in Guatemala. The images projected onto the buildings relate to reproductions made by the author of the banners used by the Mutual Support Group in protest marches. This is an organization that brings together families of missing persons. / Luminic interventions in places of memory related to Forced Disappearances in the 1980's Happened During The worst Period of the dirty war in Guatemala. The Projected images on the buildings Are reproductions done by the original author of the placards Used by the Mutual Support Group for Their vindication leave. This association gather realtive of missing persons.

Statement on front of the telephone company. During the repression data for the general elections in this building were changed to alter the results in favor of the candidate. / Intervention facade on the Telephone Company. DURING the years dating from repression Were Manipulated general elections in this building in order to change the elections results in favor of the official candidate.
Intervention on the side facade of the National Palace. / Intervention of the National Palace rear facade.
Intervention near the Metropolitan Cathedral in memory of Monsignor Juan Gerardi, Bishop murdered after publishing the report of the Project for the Recovery of Historical Memory that were addressed to. / Intervention next to the Metropolitan Cathedral to remember Bishop Juan Gerardi. I WAS assasinated after the publication of the report of the Project of Historic Memory have direct.
Intervention on the door of Congress. Currently, the former general Efrain Rios Montt is a Member of this Congress. Durate the period Rios Montt ruled, after a coup, thousands of people were killed or disappeared as part of a systematic campaign against the civilian population. / Intervention in front of the National Congress. Former general Efrain Rios Montt is a deputy to this congress. DURING HIS facto Regime, Thousands of people Were assasinated dessapeared or as part of a represive Campaing Against the Civilian Population.
Intervention against LUX cinema. In this place in 1954 several students were killed by security forces of the Guatemalan state. LUX Intervention in front of movie theater. Several students in 1954 Were assasinated by Guatemalan state forces.
Intervention on walls First Corps of the National Police. This building was interrogated and tortured hundreds of union leaders and popular during the civil war. / Intervention on the walls of the old National Police headquarter. In this place Hundreds of union Leaders Were Assassinated During The interrogate and civil war.

Monday, November 23, 2009

Best Espresso Machine Under £200

Shows / Exhibits

Borderless generation

Latinamerican Art

Exhibition at the Korea Foundation. Seoul, South Korea. / Exhibit at the Korea Foundation. Seoul, South Korea.













Recently I was in Korea to install a selection of pieces from my series FIAT LUX. This exhibition was held during the festival of Latin American art BORDERLESS GENERATION organized by the Korea Foundation, the Ministry of Foreign Affairs of Korea, with support from Latin American embassies. In my case I was invited and sponsored by the Embassy of Guatemala in Korea. An artist participating countries s. It was very interesting to meet colleagues from El Salvador, Colombia, Panama and Venezuela that we install our reliza work or a performance. I was also invited to give a talk about historical memory in the Center for Peace Museum of Korea in Seoul. also visited near the city of Gonju, an exhumation of political prisoners killed by the South Korean army during the war. They made a statement with my work TO KNOW EVERYTHING.


Recently I visited Korea to present a selection of pieces from my series FIAT LUX. This exhibit Took place as part of the international Latin American art festival BORDERLESS GENERATION organized by the Korea Foundation, the Korean Ministry of Foreign Affairs and the Latin American Embassies in Korea. In my case I was invited and sponsored by the Embassy of Guatemala in Korea. There was one artist per country. It was very interesting to meet with coleagues from El Salvador, Colombia, Panama and Venezuela who were there to install the work or make a performance. I was invited also to give a talk on historic memory at the Center for the Korea Peace Museum in Seoul. I also had the chance to visit an exhumation site next to the city of Gongju where a forensic team was working on the remains of 350 political prisoners killed by the South Korean army during the war. There I did an intervention with my piece SO THAT SHALL KNOW .

For everyone to know

room Exposición en la principal de Castel Grande. / Exhibit in the main hall of Castle Grande . Bellinzona, Switzzerland.



Thursday, August 20, 2009

Mother Pucker Lip Gloss Online

Curriculum Vitae / Introduction

Daniel Hernandez-Salazar
GUATEMALA, 1956

RECONOCIMIENTOS
  • Order of Arts and Letters in rank of Knight . Ministry of Culture and Communication of France. July 14, 2005.
  • Asuza-Sho Award the book: "Guatemala: Memory of an Angel: Work in progress of Daniel Hernández-Salazar. Japan, 2005.
  • Jonathan Mann Humanitas Award, awarded by the International Association of Physicians in AIDS Care for the content of his artistic humanist, Chicago, 1998.
  • Replica Medal Nobel Peace Prize , given by Rigoberta Menchú, Nobel Prize for Peace 1992, in recognition of his work as a photojournalist. Guatemala, 1992.
INDIVIDUAL SAMPLES
  • Guatemala: Guztiek jakin Dezat. Peace Museum. Gernika, Spain. Jul-Oct, 2010. Http://www.museodelapaz.org/es/expo_desarrollo.php?idexposicion=33
  • sappiano Affinche what tutti. Castel Grande, Bellinzona. Switzerland. 2008.
  • To let everyone know . Salle des Pas Perdus, UN Headquarters, Palais des Nations, Geneva. Switzerland. 2007.
  • Memory an Angel. Session House, Tokyo, Japan. 2004
  • Memory of an Angel, 2003. Sponsored by the French Embassy. Centro Cultural Metropolitano. Guatemala 2003.
  • Memory of an Angel. Chicago Film Festival. Havana Gallery, Chicago, Illinois. USA. 2003
  • The Path of an Angel . La Peña Gallery, Austin, Texas. USA. 2003
  • 27-2002. PhotoEncuentro, Museo de Jade. San Jose, Costa Rica. 2003.
  • 27-2002. Month of Photography, Museum of Modern Art. Guatemala 2002.
  • PPP (Small furry) . Centro Cultural El Sitio, Month of Photography. Antigua Guatemala, 2002.
  • Del to the memory. Casa de América, PhotoEspaña 2001. Madrid, 2001
  • Inherent Truths, Centro Cultural Recoleta, Buenos Aires, Argentina, 2001.
  • creation threshold. Universidad Rafael Landivar. Guatemala. 2001
  • Memory of an Angel, the installation count Street Angel, Birth of Modern Art Museum, Guatemala, 2000.
  • More beyond the weapons, The Attic Gallery, Guatemala, 1999.
  • Clarification , Centro de la Imagen, Fotoseptiembre. Mexico, DF, 1998
  • Faces of Music, Sala Nezahualcoyotl, Fotoseptiembre. Mexico, DF 1998.
  • Eros + Thanatos , Primary Object Gallery, Fotoseptiembre. San Antonio Texas, USA 1998.
  • Eros + Thanatos , National Exhibition Hall, San Salvador, El Salvador, 1998.
  • Musicians Tradition People of Guatemala , ArteBELLO virtual gallery, USA, 1997.
  • Eros + Thanatos , Sol del Rio Gallery, Guatemala, 1997.
  • Daniel Hernandez: recent work Cultural Center CAM, Alicante, Spain, 1996.
  • Ecce Homo: Photo Essay on naked male , El Sitio, Antigua Guatemala, 1995.
  • Visages of la Musique, Centre National de la Photographie, Lectoure, France, 1994.
  • Indigenous Leaders the World , II Indigenous Summit, Oaxtepec, Mexico, 1993.
  • Faces of the Music, Sol del Rio Gallery, Guatemala, 1993.
  • Epiphany, The Attic Gallery, Guatemala, 1989.
  • Silver Gelatin About , American Institute of Guatemala, Guatemala, 1987.
ACTIONS
  • Angel Street, Installation and action in the Nazi extermination facilities at Auschwitz and Treblinka, Poland. 2010
  • Angel Street, installation in memory of the English civil war. Gernika, the Basque Country; Sartaguda and Pamplona, \u200b\u200bNavarra . Spain, 2009.
  • Angel Street, installation in the Archives of the National Police. Guatemala, 2009.
  • Angel Street, installation exhumation of victims of war. South Korea, 2009.
  • Street Angel , memorial installation. 10th. anniversary of the report of the Commission for Historical Esclarecimento. Guatemala, 2009.
  • Performance naked against the intolerance. Carlos Woods Art Gallery. Guatemala. September 2007. Http://www.klavaza.com/2007/10/el-pronunciamiento-de-daniel-hernndez.html
  • Angel Street. Installation in commemoration of the 8 th. Anniversary of the assassination of Bishop Juan Gerardi. Guatemala, 2006.
  • Angel Street. Installation in the Plaza de Tlatelolco. Mexico DF 2006.
  • Street Angel . Installation in public spaces in the city Hiroshima. Japan. 2004.
  • Street Angel . Installation in public spaces in the city of Austin, Texas. USA. 2003.
  • Street Angel. Installation in public spaces in the city of Chicago, Illinois. USA. 2003.
  • Ange de la Rue. Installation in public spaces in the city of Montreal, Canada, 2002.
  • Angel Street. Installation in public spaces in the city of Buenos Aires, Argentina, 2001.
  • Angel Street. Installation in public spaces in the city of Guatemala, 1999.
POOLED SAMPLES
  • What the Dead Speak / Foto30. English Cooperation Training Center, Antigua Guatemala. 2010.
  • Borderless Generation -Latin American Art. Seoul, Korea, 2009
  • Central American Art Biennale. Tegucigalpa. Honduras, 2008.
  • Identity Goodbye. Cultural Center of Spain. Guatemala, 2007.
  • City. Cultural Center of Spain. Guatemala, 2006.
  • Juanni . Exhibition of Contemporary Art auction. Museum of Modern Art. Guatemala, 2006.
  • Pictures of Guatemala 1850-2005. 57 photographers from the photo library and the photographic community CIRMA Guatemala. Training Centre of the English Cooperation. Antigua Guatemala. 2005.
  • Juanni . Exhibition Auction of Contemporary Art. Museum of Modern Art. Guatemala, 2005.
  • Why are we as we . CIRMA. Coban, Guatemala. 2005
  • Why are we as we . CIRMA. Old Railway Station Los Altos. Quetzaltenango. 2004
  • Why are we as we . CIRMA. Parque de la Industria, Guatemala. 2004
  • Maternity Plus. Institute of Hispanic Culture. Guatemala. 2003.
  • Created Worlds. Noorderlicht Festival 2002. Groningen, Netherlands, 2002.
  • Tension Zones Art Guatemala. "Gang." Haarlem, Netherlands. 2002.
  • An eye on Latin America , Aldo Castillo Gallery, Chicago, USA. 2001
  • Context, Contemporary Art in Guatemala. Municipal Hall, Church of the French, Valladolid, Spain. 2001.
  • Adjacent , Sun River, Guatemala. 2001.
  • young Guatemalan Artists. Traveling exhibition. Mexico. 2000-2001.
  • Objects of Passion, Aldo Castillo Gallery, Chicago, USA. 2000
  • Annual Art Exhibition, Leipzig, Germany, 1999.
  • Nameless Art, Independent Art Project, Guatemala, 1998.
  • The Body in / of Photography, Museum of Contemporary Art and Design, San Jose, Costa Rica, 1998.
  • Paper, Forum Gallery. Fotojornada '98, Guatemala, 1998.
  • Guatemala: Reality Revealed . Fotojornada '98, Museo de Arte Moderno, Guatemala, 1998.
  • Intimate . Fotojornada '98, Museo de Arte Moderno, Guatemala, 1998.
  • Heads Up, New Faces in Contemporary Art, Aldo Castillo Gallery, Chicago, USA, 1998
  • Five Guatemalan Photographers. Art x Art Gallery, Buenos Aires, Argentina. 1997.
  • American Plastic Meeting, Institute of Culture, Panama, 1996.
  • Summer, an erroneous perception of reality , Wessel + O'Connor Gallery, New York, 1995.
  • About Wild Heart, Photography in Latin America, Munich, Germany, 1992.
  • Latin American Photography: Current Trends , Huelva, Spain, 1991.
  • Emancipation and Identity in Latin America: 1492-1992 , Quito, Ecuador, 1990.
  • Three Contemporary Photographers Guatemala, traveling exhibition, Alabama, USA., 1988.
  • Tricon (Daniel Hernández-Salazar, Luis Gonzalez Palma and Mario Rivera Cabrera). Ixchel Museum, Guatemala, 1986.
PUBLICATIONS
Singles:
Group:
  • Believe Your Eyes. perspective on the holocaust. Dolbegae Publishers. Pajubookcity, Gyeonggi-do, Korea. 2009.
  • Male Nude Now, David Leddick, Rizzoli, New York 2001
  • Guatemala Never Again, Iwanami Publishing, Tokyo, Japan, 2000.
  • Naked Men Too, David Leddick. Rizzoli-Universe, New York, 2000.
  • Comparative Peace Processes in Latin America , Woodrow Wilson Center Press, Stanford University Press, 1999.
  • The Politics of Civil Society Building , Kees Biekart, Internatonal Books & Transnational Institute, Holland, 1999.
  • Visions of Angels, Smithmark Publications, New York, 1998.
  • Guatemala Never Again, Human Rights Office of the Archdiocese of Guatemala, Guatemala, 1998.
  • The Male Nude David Leddick. Benedikt Taschen Verlag GmbH, Cologne, Germany, 1998.
  • Eros, Stewart, Tabori & Chang, Inc., New York, 1996.
  • Maya Masterpieces, G & T Foundation, Guatemala, 1996
  • Mexican Art in the World , Grupo Azabache, Mexico, 1994.
  • Golden Images, G & T Foundation, Guatemala, 1994.
  • to Know , Revista ex-Guatemalan, Guatemala, 1992.
  • A Critical Approach to Photography Present American Latino Museum, Prov, Huelva, Spain, 1991.
  • American Journal Patria Grande. Quito, Ecuador, 1990.
TALKS

Because of his interest in historical memory, has lectured on photographic and artistic work and the role that the arts have in post-war period, both in academic and artistic including: Center for Regional Research in Mesoamerica, Guatemala, Universidad Veritas, Costa Rica, Universidad Javeriana, Colombia, University of Texas at Austin, United States Institute for Peace, Hiroshima, Japan Peace Museum in Seoul, Korea and the Centre for Peace Research. Gernika-Gogoratuz Foundation. Spain.
  • Guatemala: To let everyone know. Social Insidencia through artistic expression. IV International Meeting of Art and Peace. Research Center for Peace. Gernika-Gogoratuz Foundation. Gernika, Basque Country, Spain. October 15-17, 2009.
  • Art and Memory. Through social Insidencia of artistic expression in Guatemala . Javerianaity University. Bogotá, Colombia. 2009.
  • Art and Social Change in Post War Guatemala . Program Study Abroad at the University of Arizona. CIRMA. Antigua Guatemala. 2005-2009.
MOVIES
  • The word unearthed (Haunted Land) . Journey into the lives of Daniel Hernández Salazar and Matthew Paul, about a slaughter that occurred during Guatemala's civil war. Directed by Mary Ellen Davis. Balba Productions, Montreal, Canada. 2001. Http://www3.sympatico.ca/medavis/Eng_B06.htm

STUDIES
  • Advanced Black & White Process , Studio Light and Shadow, Guatemala.
  • Workshop with Arnold Newman, New York, USA.
  • Architectural Photography , International Center of Photography, New York.
  • Commercial Photography, Winona School of Professional Photo, Indiana, USA.
  • Studies Architecture . Universidad Francisco Marroquín. Guatemala.
UPPER WORKS, TRABAJOS
  • Desplazamiento internal and peace building in Colombia . Photographic documentation he Ministry of Foreign Affairs of Switzerland. Colombia, 2009
  • Genocide in Guatemala and Bosnia and Herzegovina . Photo essay for swisspeace, Bern, Swiza, 2008.
  • freelance photography in Guatemala for the New York Times . Guatemala, 2006-2009.
  • Photographer correspondent for The Associated Pres s (AP), 1987-1992.
  • Photographer correspondent for Reuters, 1986.
  • photographer for Agence France Presse correspondent (AFP), 1984.
OTHER ACTIVITIES
  • design, planning and construction of your home and personal workshop in the historic center of Guatemala City. 2005-2007.
  • Living in Cities. Discussion. Cultural Center of Spain. Guatemala, 2006.
  • Chairman of the Unified Headquarters Barrio. Historic Center of Guatemala City. 2004-2009.
  • Pictures of Guatemala 1850-2005. Discussion about the history of photography in Guatemala. Training Centre of the English Cooperation. Antigua Guatemala. 2005.
  • Violence, Memory, and Art in Postwar Guatemala . Lanic.utexas.edu/project/etext/llilas/cpa/spring03/guate.pdf A Dialogue with Daniel Hernández-Salazar. Exhibitions, conferences, forums and lectures at the University of Texas at Austin. Invited by the Teresa Lozano Long Institute of Latin American Studies, the Center for Indigenous Languages \u200b\u200bof Latin America, Rockefeller Postdoctoral Program in Race, Rights, and Resources, the Center for Mexican American Studies, the Center for Latin American Social Policy, College of Liberal Arts, and the John T. Jones, Jr. Centennial Professorship of Comunication. University of Texas at Austin. USA 2003.
  • Planner and Coordinator General of hundred hoods city concert for peace . Http://www.uclm.es/artesonoro/LlorensBARBER/100.html Original music composed by musician Llorenç Barber Valencia. Organized to celebrate the 1st. Anniversary of the signing of peace accords in Guatemala. Executed in the historic center of Guatemala City, sponsored by the Peace Secretariat of the Presidency of the Republic, the Advisory Council and the Historic Center of Guatemala City. December 1997.
  • Coordinator of the International Festival of Organ . Cathedral Metropolitan. Guatemala, 1985, 1987 and 1988.
  • Organon Committee Member for the preservation of the organ of the Metropolitan Cathedral of Guatemala.
LANGUAGES English, English, French
Email: daaniieel@yahoo.com; dfdjhs@gmail.com


Friday, June 26, 2009

Desmume Pokemon Heart Gold Best Config



PUPPETS, THEATER AND STORIES
FOR ALL PUBLIC

Funbrain Playground Pl



The source of the puppets is very old, so old that it is difficult to pinpoint the time of onset. There are records of them in ancient civilizations, Egypt, China, Asia, Rome, Greece. The truth is that these figures or dolls generate a great attraction for moving them and for viewers, and both children and adults. Currently, its use may not be as frequent but every time a proposal is made to tell stories with them is always welcome. Cause in us a sort of hypnotism, from the moment they appear can not stop looking at them and enter their world, is so magical to stop watching the puppeteer's arm and that figure comes to life with their own emotions. In our roles played numerous characters in stories created theatrical pleasure. "Let there be light" has a desire to play in every encounter with the public.

Saturday, April 11, 2009

Shower Before After Waxing




puppet - Text Comello Liliana
original music Emiliano Di
Genna


A family of pigs, pork dad always asset and a little distracted, mother sow, concerned about the housework, the son pig Jersey, hardworking and friendly, but with a special feature in his personality: just listen to what he wants to hear .... this creates some disagreements with family and other characters will be added to the story. The modified pig attitude through the different situations experienced. There are two more family members: the baby pig, a tenderness, and the dog Nelson, a mischievous puppy.


LEGENDS
puppet
free version and Maricel Comello Liliana Di Genna on:

"LEGEND OF THE PARROT"
"THE WHALE"
"SPOT THE FROG"
"LA FIREFLY "


Why

legends ... legends of ancient peoples served to interpret some inexplicable as well as stories that leave morals and teachings. We chose
Argentine legend. They talk about us and hint at ways of human behavior.


Synopsis of the film:

Through a storyteller who weaves the stories are appearing characters will have the legends ... the parrots: at first they lived in harmony and then ended with the screams ... the whale: long ago called Goos and lived on earth, now lives happily in the water ... the frog has spots on his back ... you know why ... Snake wants to eat the firefly ... why is that? Between occurrences and music, puppets parade giving life to these stories to enjoy.


Storytelling

The Princess and the Frog (oral transmission)

The fierce pig (oral transmission)

Liliana Al divine Comello button

Red Riding Hood 2, Esteban Valentino

The love Tatu

Gustavo Roldán I have ogre and princess of Ricardo Mariño

And many more stories!


ALSO CREATE AND PRODUCE FUNCTIONS ON REQUEST FOR PARTIES AND SCHOOLS.




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Preparations "Legends"

Sunday, March 1, 2009

Letters To Penthouse Online Read



Thursday, February 26, 2009

Free Brazilian Grandma



Thursday, February 12, 2009

24 Volt Battery Charger Diagram



Puppets neighborhoods


Following

to the planned program with free admission through the auspices of the Ministry of Culture of the Municipality Marcos Juárez, Sabatini get to the neighborhood.

Last week we had to stop because the days before had rained and the grass was wet and blowing wind and cold, can happen in all events organized outdoor time surprise us and not with us. But it was Sunday seven beautiful sunny day ... in the land between the streets and Rawson Mitre several groups of adults were playing bocce ball and ran kindly for us to start. The spectators were arriving, some residents sat watching from the door of their homes and BECOME LIGHT presented its third function of Legends continuing rally in the neighborhood of puppetry, held for the first time in our city and local production.

we would like cherish the comments of the boys on Sunday, and thus have a large chest filled with witty phrases:

- Dress! I told you there were two women inside! exclaimed a girl at the end of the work after coming out to greet us outside the altar ...

- Toads have yellow spots and brown, not red! said another boy. - Yes, but there is another class called rococo toads do have some red spots ... said the narrator.

- When did you return? a small group of girls shouted greetings as we were with the truck loaded with teatrino and puppets.

also remember what I said a very confident boy at the end of the function in the Lake Northwest:

- I want to see the "worm"!

- Must be the serpent , I whispered to my companion in the ear ...

- How toad history told us the womb! Alberdi said in the school ...

Many, many sentences at the end of each function Maricel Genna-mate Di creative and hardworking - and me, we're repeating on the way home and laugh with joy that you have stopped something in these boys, having shared a magical time.

Next Sunday in the neighborhood of Villa El Panal, in Centenary Square, weather is with us, 19:30 hours the curtain. We wait.


Liliana

Comello by BECOME LIGHT